Rudy steiner and liesel meminger relationship quizzes

Rudy and Liesel by Elizabeth H. on Prezi

Compare/Contrast the relationship between Hans and Liesel and Rosa and Liesel. 3. What does Rudy ask in return fro winning the race? A. A kiss. B. A hug. C. B. Rudy Steiner. B. Select a Match . N. Liesel Meminger. N. She owns the shop where Liesel and Rudy buy mixed candy on Himmel Street. The relationship is soothed when She hears Liesel read from The Whistler Barbara Steiner Werner Meminger American Literature Literary Terms Quiz # 1. Liesel becomes fast friends with her favorite 'lemon-haired' boy, Rudy Steiner. Another important relationship Liesel forms is with the Jew, Max, whom the.

During his stay at the Hubermanns' house, Max befriends Liesel, because of their shared affinity for words. He writes two books for her and presents her with a sketchbook that contains his life story, which helps Liesel to develop as a writer and reader, which, in turn, saves her life from the bombs. She entered depression after the death of her only son in the Great War.

Ilsa allows Liesel to visit and read books in her personal library. She also gives Liesel a little black book, which leads Liesel to write her own story, "The Book Thief".

Paula Meminger Liesel's Mother Liesel's mother is only mentioned in the story a few times. Liesel's mother met the same fate as her father, but Liesel eventually realizes her mother gave her away to protect her.

Throughout the novel, the deaths of prominent characters reaffirm the presence of mortality. Because the novel takes place during World War II, death and genocide are nearly omnipresent in the novel. Death is presented in a manner that is less distant and threatening. Because Death narrates and explains the reasons behind each character's destruction, as well as explains how he feels that he must take the life of each character, Death is given a sense of care rather than fear.

At one point, Death states "even death has a heart," which reaffirms that there is a care present in the concept of death and dying. As symbolic elements, they provide liberation and identity to the characters who are able to wield their power.

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They also provide a framework for Liesel's coming of age. In the beginning of the novel, she obtains a book at her brother's funeral, one that she is unable to read. As the story progresses, she slowly learns how to read and write because of the tutelage of her foster father Hans. At the end of the story, her character arc is heavily defined by her ability to read and write.

The development of her literacy mirrors her physical growth and strength developing over the course of the story. Language, reading, and writing also serve as social markers. The wealthy citizens in the story are often portrayed as owning their own libraries and being literate, while the poor characters are illiterate and do not own any books.

The Nazi burning of books is also represented in the novel. Symbolically, Liesel's continuous rescue of the books the Nazis burn represents her reclaiming of freedom and fight against being controlled by the Nazis.

Liesel overcomes her traumas by learning to love and be loved by her foster family and her friends. In the beginning of the novel, Liesel is traumatized not only by the death of her brother and her separation from her only family, but also as a result of the larger issues regarding war-torn Germany and the destruction by the Nazi party.

As Liesel's foster father Hans develops a relationship with her, healing and growth are a direct result. This pattern is reflected in the relational dynamic between the Hubermann family and Max.

In the midst of governmental policies that reflect on who is worthy of love and acceptance, the Hubermanns' relationship with Max defies the Nazi regime. Further, the love that Max and Liesel develop through their friendship creates a strong contrast to the hate that is the backdrop of the story.

Daniel Elliott Peace Award Bulletin Blue Ribbon Book[4] It allowed her to enrich, her and those around her, lives forever. He had to be sure Liesel would keep the secret so the whole family and Max would be safe.

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Liesel did not let Hans down, because she would never do anything to endanger her Mama and Papa. She by this time had come to love them both. He owed his life to Erik Vandenburg, a German Jew, who did not care what religion his friend Hans practiced. Erik and Hans were friends and that was all that mattered to them. The fact that Erik, unknowingly, saved Hans' life added another item, to the list of objections he had towards the Nazi Party.

He owed Erik to not forget him or what he had done for him. He also owed Erik's son and he would do everything he could to help save Max. This is why despite wanting to leave he stays in the basement, because he knows what awaits him if he leaves. He carries with him the guilt of leaving his family behind in Stuttgart and the guilt of jeopardizing Hans, Rosa and Liesel. So the only way he can express these emotions to them is to say thank you and I'm sorry.

It made their friendship stronger and kept Erik alive for Hans every time he played Erik's instrument.

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In this same way, Max and Liesel shared a love of words, which too drew them together in friendship, during the horror of World War II. This bond was unbroken by the book Max left for Liesel, after he had to leave the Hubermann household. They never forgot one another and were fortunately reunited after the war. You taught me to read.

No one can play like you. I'll never drink champagne. She has found his body next to Rosa on the street after the bombing. She can only thank him for all that he has done to make her life filled with love and words.

She knows love and words can make her life filled with joy and satisfaction.